Respuesta :
Answer:
- The Director. The Director provides the guiding creative vision for a production.
- The Producer.
- The Executive Producer.
- The Principal Cast.
- The Casting Director.
- The AD Department.
- The Art Department.
- The Camera Department.
Explanation:
Answer:
Preproduction refers to the phase of film making before the start of principal photography. It starts once someone—a studio, a production company, a group of investors—gives a green light to a script or pitch to go into production, meaning they agree to pay for it.
Production Management:
Writer and Director: They finalize the shooting script.
First Assistant Director (1st AD): Prepares the shooting schedule.
Production Office:
Executive Producers: They handle financing, oversee major elements of production.
Producer: Manages the production/production team. There are different types of producers.
Line Producer: Manages the budget and schedule throughout the production.
Production Manager: Oversees daily production decisions such as budget, scheduling, and staffing. The PM generally reports to the line producer and supervises the production coordinator.
Production Coordinator: Coordinates all logistics involved with the cast, crew, and equipment.
Production Assistants: These are the lowest-level crew members who act as gofers and utility players on a production. They're involved at all levels of production.
Locations:
Location Manager: Finds and secures all the locations, takes care of permits.
Assistant location manager: Works with the location manager and the various departments in arranging technical scouts for the essential staff
Location scout: Does much of the actual research, footwork and photography to document location possibilities.
Art Department:
Production Designer: Translates the film into visual form (settings, costumes, makeup).
Art Director: Works with the production designer, creates and dresses sets, acquires props, and helps determine the overall look. On a smaller crew, this is also the Set Designer.
Location Manager: Finds and secures all the locations, takes care of permits.
Sets:
Set Designer: Works with director and art department to create and design all structures and interior spaces for production.
Costumes:
Costume Designer: Creates costumes in keeping with the characters and setting.
Production and Principal Photography Crew
Principal photography is the phase when everyone is on set shooting the movie.
Production Management:
Director: The boss.
First Assistant Director (1st AD): Organizes the crew and ensures that the film comes in on schedule.
Second Assistant Director (2nd AD): Helps the 1st AD supervise the set and also manages and hands out important documents such as scripts and call sheets. Depending on the size of the crew, there may even be a 3rd AD.
Visual/Special Effects Supervisor: Oversees both creative and technical elements for the special or visual effects on a project. Special effects are practical (i.e., physical) effects created on set—such as fire or puppetry—and captured in camera. Visual effects are added in post-production, such as computer-generated imagery.
Continuity:
Script Supervisor: The person who keeps track of everything that has been shot, including any deviations from the script. Responsible for matching continuity from one shot to the next, including props, wardrobe, dialog, and blocking.
Camera and Lighting:
Director of Photography (DP): Works closely with the director to determine the look of the film, lighting, and framing. Also referred to as a cinematographer.
First Assistant Camera (1st AC): Ensures every shot is clear and in focus; also called the focus puller.
Second Assistant Camera (2nd AC): In charge of the slate (shot number, take number) and holds it in front of the camera before each shot.
Camera Operator: Operates the camera at the direction of the DP.
Film Loader: Handles the film before and after exposure, ensures its secure transport, keeps track of film stock during production.
Steadicam Operator: Specially trained camera operator who handles motion-stabilized camera rig.
Gaffer: Also called the chief lighting technician. Responsible for the design of a production's lighting plan.
Best Boy or Best Babe: Assistant to the gaffer or key grip (see below), responsible for the electric truck, rentals, staffing, and other electrical issues.
Lighting Technician: Sets up and controls lighting equipment and electrical power on set.
Grips:
