Certainly, the Second Coming is to hand. note how these lines are almost precisely equal. this is where the speaker tells us what he thinks goes on, however the repetition way that he’s maybe now not so sure and is slowly trying to discern things out. It’s a revelation he says that's when the proper meaning of something is revealed. not most effective but it’s a revelation according to the most authentic supply for these kinds of matters: the book of Revelation.
Reputedly, all this violence and moral confusion method of the second one Coming is handy. according to the Bible, which means Christ goes come lower back and set the whole thing immediately right We’ll see. For now, the poem is about to take some other flip. rather than stopping to talk to the watchman, the speaker drops his eyes to the floor so that he will keep away from the verbal exchange. As he says, he's unwilling to explain why he's out taking walks for seemingly no purpose in any respect. perhaps he's embarrassed to be walking approximately so past due at night.
Robert Frost's layout, first published in a 1922 anthology of American poetry, reflects on the argument that the complexity of the world proves that a supernatural author God has to have designed things. night time is an extended metaphor for depression: the narrator has been familiar with despair, no longer simply literal nighttime. every episode within the poem, then, can be read as an individual metaphor for melancholy.
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