Banksy appears to be highlighting the underlying absurdity of his graffiti art being regarded as great art by destroying "Girl with Balloon." Anyone can destroy it when it is on city streets, but now that the same images are in galleries and auction houses, they need to be managed carefully.
The Dada movement of the early 20th century produced some of the most well-known of Banksy's subversive creative forebears. One of their main tactics involves keeping potentially commodifiable items off the market.
Marcel Duchamp, a French-American artist, is arguably the most well-known Dadaist. His "Fountain," a urinal turned on its back and put on a pedestal in 1917, was his first shot at the intellectual pretenses of the art business.
Duchamp intended to make the art world admit that its evaluations of value were driven more by media excitement and financial gain than by creative innovation.
Duchamp later acknowledged the ineffectiveness of his gesture, albeit, years later. Therefore, above statement provides a result of employing that text structure and as mentioned in the article
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