Answer:
Does Peele continue to create films that are ever more oblique, knowing that a cadre of interpreters will rise up, think pieces in tow, to fill plot holes with theory? He could drive us all a bit mad as we try to navigate the M.C. Escher paintings inside his head. Or, does he wrangle those impulses, and turn out films that are as complete and coherent as they are daring? We know he’s capable of it because he did it with Get Out. Which is not to say that every Peele film must be a masterpiece of allegory. But they should be legible to a viewer who isn’t acquainted with every bit of Peele’s personal psychology.
Explanation:
