Respuesta :
"Song of the Open Road." This was originally called "Poem of the Open Road" when it first appeared in the 1856 edition of Leaves of Grass, but Whitman kept tinkering with this, and the other poems in the collection, for the rest of his life. The gist, however, remains the same: Whitman's speaker is off for the open road, to experience the freedom and expansiveness it promises. Along the way, he finds lots of people and sees lots of the country—all of which he loves, and all of which he invites us to appreciate in his own particular Whitmanian way.
Like the bumper sticker says: life's not about the destination; it's about the journey. And good luck finding a more generous, enthusiastic tour guide than ol' Walt.
Answer:
This sonnet was one of the twenty new ballads in the 1856 release of Leaves of Grass. Like "Intersection Brooklyn Ferry," which showed up in the meantime, it commands a fellowship and a majority rules system in light of place. Here Whitman sets up the out-of-entryways as an idealistic, majority rule space, in which all men can meet up.
In this poem, Whitman praises the out-of-entryways, and the street specifically, as space where men can meet up seriously, where status and social markers matter less. A street is something everybody utilizes, regardless of whether they are rich or poor, and it compels all levels of individuals to connect with each other. The street, besides, connotes versatility: one can take the street to someplace new, and in America that implies some place one can begin once again. For Whitman, as well, the street is a space for the social occasion the material for verse. As he goes along it, he sees an assortment of individuals and puts and hears a plenty of stories. He contends against remaining in one place for a really long time, in spite of the fact that the cordiality might be a bit, for just the trial of the open street will do.
Explanation:
