Why do you think Impressionism came to be the crowd-pleasing blockbuster of the art world?

A) Because it was heavily promoted by wealthy patrons and collectors.
B) Due to its innovative techniques and departure from traditional academic styles, which captivated audiences.
C) Because it originated in France, a leading cultural center at the time, and gained international recognition through exhibitions and publications.
D) None of the above.

What is the relationship between Impressionism and nationalism? In France? America? Scandinavia? Australia?

A) Impressionism was closely tied to nationalist movements in each of these regions, serving as a symbol of national identity.
B) Impressionism was primarily associated with French nationalism, but it also influenced nationalist sentiments in America, Scandinavia, and Australia.
C) Impressionism had little to no connection to nationalism in any of these regions.
D) Impressionism was embraced internationally but did not play a significant role in nationalist movements.

How "global" was Impressionism as a movement?

A) Impressionism was primarily confined to France and had minimal impact beyond its borders.
B) Impressionism spread to other countries primarily through French expatriate artists and international exhibitions.
C) Impressionism had a truly global reach, influencing artists and art movements worldwide.
D) Impressionism was only appreciated by Western nations and had little influence in other parts of the world.

Ultimately, do you think it's useful to apply the term "Impressionism" to art created outside of France? Why/why not?

A) Yes, because Impressionism's influence transcended national borders and its defining characteristics can be observed in art created in various countries.
B) No, because Impressionism is intrinsically tied to its French origins and applying the term to art outside of France dilutes its significance.
C) Yes, but only in cases where artists explicitly identified with the Impressionist movement and its principles.
D) No, because Impressionism was a product of its specific historical and cultural context in France and cannot be accurately applied to art created in other regions.